Two Poems | Blessing Omeiza Ojo

(cover photograph direction: Tobi Amida)

Bullet

/ˈbʊl.ɪt/

––noun

  1. A ball of lead or other metal, used in firearms of small calibre; now often conical.
  2. Typography. A printed symbol in the form of a round dot for marking items in a list

 

is that metal ball that loves to kiss a body on reaching it.

Strange how a noun could love everything that shares

the same beginning consonant with it. In a bullet race, a body

is a target if it has blood. Sharp & ruthless— you won’t see it

coming. Guess a bullet would work as well as a knife.

In Kubwa, a discovery: a cannonball with my name on it.

The night news announces another found in Mararaba,

carrying a double inscription: ìkú rẹ, ìbùkún

the Yoruba equivalent of your death, Blessing— most likely

a message from death to me. [But it reached me maimed]

What better way to offer grief as a caramel chocolate if not this way?

Box it. Label it sweet— should the name be as long as the trial?

I do not know. I am only aware of names that begin with /b/

& they’re not blessings. In a diacritical shift, an inscription could

also be a messiah. Imagine that we’re at a train station. & a man

screams ìkú re. I race away from what pulls my tongue for a taste.

Perhaps we should not have been there. One foot on the deadland

& the other flipping the scripture backward for eternity. I forgot

to mention that sometimes ago, I shielded a school boy from a shrapnel.

My palm, a hollowed home. You & I, residents in it. As you sing

along the street where a signboard reeks of blood, & pointing a finger

to the fate of men, to the graveyard that’d claim our silence someday,

remember there are unwon battles. & have you noticed that kinetics

must reach a halt heart to cool a body? Alone, after a sabbath service,

a clergy writes a number of things that could close him—a chapter

of history book written in falsehood. There’s no bullet in it. As far as

I’m concerned, in the vein of life, I’m a century away from my end point.

But I have bulleted myself for the bullet that’d walk through me someday.

 

Glossary: ìkú re: here is death


 Pandemic

*Ọfọn ye mmọ eke akan̄kan̄ owotde akan mmọ eke akan̄ owotde.

At least you’d see the knife briefly, or the assailant. Blood

 

on the floor picturesque of the lamb’s blood tickling the stake.

Yours wouldn’t save this land, but it’d bear witness to the slaughter.

 

Bear me witness, O history, that I write to proclaim hunger

a pandemic in my realm. Here, every thoroughfare holds boys

 

whose assets are plates––& some, homeless. I see them under

flyovers on workout mornings. Today, the face I saw conflates

 

with the voice I heard in my sleep. It belonged to a man confessing:

for two weeks now, this mouth of mine, this estuary of praise has not tasted food.

 

Sorry––    I––this plague partaker–– a skeleton contesting for ugly pageant

can’t stop thinking about the time when inflation was a jargon in playing times,

 

air making its way into a balloon. I herd my sadness in an angora,

boil my temper & oil it for breakfast. Can’t you hear me munching words?

 

Can’t you hear us on this end denying our desire of royalty?

Look at us–– those enduring times of steel, bendable by the desire to live,

 

those who would waste away, who are pierced through by hunger.

In this poem, I’m merely meditating on the monstrous properties of lack.

 

Meanwhile, from here, you’d know the basis of our aches, our lamentations.

You’d see the infirmary––its wards all filled with people awaiting prescriptions.

 

*Those slain with the sword are better off than those slain by famine.


Blessing Omeiza Ojo
is a black bard, creative writing teacher and editor. He is one of Nigeria’s leading mentors of teen authors and new generation spoken word artists. He has received numerous honours including the Best of the Net nominations, 9th Korea-Nigeria Poetry Prize (Ambassador Special Prize), the 2020 Artslounge Literature Teacher of the Year award, the 2021Words Rhymes & Rhythm Nigerian Teacher’s Award, the 2022 & 2023 Maryam Aliyu Award for Best Teacher, the 2024 Eugenia Abu/Sevhage International prize for creative non-fiction, and the 2025 Golden Award for Art Administrator. His works have appeared in Split Lip, Cọ́n-scìò, Poetry NND Column, The Deadlands, Roughcut Press, Olney, and elsewhere. Omeiza is a member of Hill-Top Creative Arts Foundation, Abuja. He takes great delight in leading teen creatives to literary festivals/competitions where they have won a lot of laurels including HIASFEST, ALITFEST, LIPFEST, and AIPFEST. When not writing or teaching, he enjoys being a father, balling and playing PES with his son or his friend, GP. He tweets @Blessing_O_Ojo. Check him on Instagram @ink_spiller_1.

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