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The Shallow Tales Review
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  • Poetry

Three Poems | Aishat Yahkub

  • June 30, 2025
  • theshallowtales
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(cover photo direction: David Obi)
(cover photograph direction: David Obi)
Homecoming

Ọlọ́run má jé ka sí ní ilé l’ọ́jọ́ t’ébi n pa ilé

– Yoruba prayer

I find that the old house, once hunched over the loud road

has now chosen the steepest hill

to settle unto, gnarled roots buried deep

I can feel its steady pulse rocking through

the land, as I walk up the slope

Let me in, I have come home to rest

The house heaves & creaks in answer, a roused beast

welcomes my travel-weary body with a hardened mouth &

cold eyes carved by the stinging harmattan winds

that welt across its peeling face

Won’t you soften for me?

I enter through its forbidding doors, this stranger

that seems so much like the one held

in my memories & yet, feels as distant

I stumble through the hallways hush with ghosts

The house pants eagerly, sore palate dripping spittle

Where is all of the colour & laughter?

I sink into its earth & soon enough the house leaks

its shadows out in the open—

The rotting walls worn thin with anger reveal

vicious teeth straining for flesh

The sultry air ripened with resentment rations my breath

parches the moistness of my throat, claws &

scratches from the inside &

The viscous darkness creeps in, presses me flat & folded

into the coarseness of my cage

squeezing & squeezing all the while

The clomp of footsteps, disembodied faces, their

endless wails taunt me

Slowly, almost tenderly the house, with its roughened claws

draws out, returns me

to my carefully bound madness

And I learn quite well how nothing scar(e)s a thing

more than what it calls home

that carves monsters out of its nightmares

Through it all, the dust waits, to fade

my body to its nameless form—

I’m one of the sleepless.

The girl before she was named
https://theshallowtalesreview.com.ng/wp-content/uploads/2025/06/The-girl-before-she-was-named-Aishat-Yahkub-for-tstr.mp3

Like all the women before me who swallowed theirs,

I am becoming/ my mother

How painfully I remember the girl in the dream

before she was named/ my mother

with a female body before it became

a mother’s

so wild & dangerous & bright

loud laughter, long limbs

light as wings

collecting all the broken things & people

from the edge of the singing water

hung on her arms, she swayed with them all

And now the music leaks

from her eyes, the eyes of a former dreamer

softened by the years

beautiful sadness clinging to her all the while

Oh, how I want to return her life to her

the one I rippled to arrive

into the sun of your world

Forgive me, all the things I have deadened

before they could become—

the eggs, the roots, mother

when you arrived to claim me

purple, riotous, aching bud that I was

beneath the tree watering life,

did you hesitate?

Everything trapped in song

Why do we sing ourselves to sleep

every night?

What’s so nightmarish about our dreams/

where we go when we still,

that must have us

sirened into its dark

Yank me from the mouth of whatever’s humming

before I sink

What’s hollowed out, taut, inside of us

the living, that turns

everything into music?

My memories, the woeful years all encased

in songs     I cannot play

Why won’t these notes stop haunting me?

I’m jealous of all who have been healed instead

I panic when a song stretches

too long, gasp for quiet

Where does the sound go when I halt the music

The static silence, its shadow

gapes in the middle of the deepening room,

caved into/ my body won’t stop turning

All the distorted voices screeching

into my ears, where’d they come from?

Tell them to let go, grant me reprieve

I’ll listen no longer

Oh but why does it keep on

echoing in my head—

These strange lyrics, egging me on

into the wild

Can anyone else hear the incessant beats or

have I just gone mad?

make it/ stop

singing stop singing stop


Aishat Yahkub
is a creative, poet, art enthusiast and overwhelmed medical student from Ilọrin, Nigeria. A “Best of the Net” nominee, her poems appear in Fantasy Magazine, Brittle Paper, Agbowó, Fullhouse, PoetryColumnNND, Poetry Sango-Ota and elsewhere. Her works seek to explore all that haunts the body and of belonging. She’s a whimsy daydreamer, stubborn escapist and practices stillness. Tweets @AishatYahkub. Instagram: @aishatyahkub.
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