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The Shallow Tales Review
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  • Poetry

A Requiem for Bodies Reduced to Little Things & The Dance

  • May 30, 2021
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Credit: Elendu Wisdom Chikwado
https://theshallowtalesreview.com.ng/wp-content/uploads/2021/05/Little20things.mp3

A Requiem for Bodies Reduced to Little Things

 

Playing aloud the song by Bob Nesta Marley

Blending hope out of Babylon — as his voice punching

the peak of scale — music is an art. A healing visible art

But my heart is a broken ground

No good portrait or paint by music could fit on it.

They said my grandma’s room is the cradle

Of all grief. That I watched her crossing the bar

But not raise alarm or break the bridge

I was an infant tearing heavenly culture

off his mind — a little human following

Every ray of light with half closed eyes.

Half a decade ago, a beloved friend

carried all his dreams & rolled them into

A long marijuana and cigarettes

In the covert he lit them and swallow their stormy

Whiffs — he burnt his body — & crossed the bar

His body is a small land, near my grandma’s room

They said, I keep mute when he’s burning his veins.

What can a boy who is finding his footsteps in a

dark city locked in his heart do? — but of his

demise, I see little things.

4 years ago again, a classmate breached the rule: he

made a route for himself in his thought,

And travelled down his village – he’s

filling gunpowder in a gun — and boom!

He sneaked out of the world through a route

He built. & of his gunned head, maimed body

swollen veins & our hot tears. I see little things

Decomposing. Huge things can’t find home

Beneath soil — only little things &

They are atoms of grief & are hard to break.


https://theshallowtalesreview.com.ng/wp-content/uploads/2021/05/the20dance202-1.mp3

The Dance

 

Talking drum speaks

The story of legs,

Its shuffling and bending

Over a wide carpet of ground

front & back, & either side

It talks about how it compels them

Through the rhythms dropped

In leaf-like ears.

A dancer moves his mass of the body

Stylishly, twirl his ribs like a worm

In the meantime, he closes his eyes.

He set legs into a riddle, holding the helm

Of his attire. & saunters into gods’ realm

Where drum gods sit on the stilted ledge

By his performance.

To reach this recondite realm,

The drummer must have called him names:

Of a god who possesses a lithe body,

& of him who stands by the threshold,

weighing the cost of twirling torso. He

Must have bathed him with gods’ lyrics

For the dancing steps must be recondite,

& godly, & align with the rhythm.

Dance is everywhere: blacksmiths dance

To metal shrills. Farmers dance to

The arrival of rain in the dark cloud,

Life flows with every beat of nature:

Night twirls into day & day into the dusky night

Poets’ body flow with pen dancing

On the Tommy of papers.

To dance is to be spiritual and sincere.


Minkail Olaitan

is a Nigerian writer born in Ogbomoso, Oyo State. He is a poet who unfurls his heart into paper with his magnificent quill. His poetic languages and voices are the remnant of a boy who wears the grief of others. His articles have appeared on Nigerian Tribune, Insight, Morganable, Thekable, Mouthpiece among others. His works has also appeared in the Poetry Tuesday & The Stripes Magazine. He’s a curious-minded poet who writes every day. At his leisure time, he prefers listening to Brymo & Asa bimpe to other things. Social media handles: Twitter: @minkail100, Instagram: minkail_olaitan, Facebook: Minkail Olaitan.

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